Skip to main content

G – FRENCH KNOT

This stitch is done on top of the fabric and requires the use of both hands.

1. Bring the needle up through the fabric with one hand, grabbing the length of the pulled- through thread with the other hand (1). 
2. Wrap the thread around the needle twice, making sure the thread remains taut on the needle after being wrapped (2, 3).
 
3. Holding the thread with one hand and the needle with the other, press the tip of the needle back through the fabric, a few fabric fibers from the first insertion point (4, 5).
4. Keep holding the thread taut with one hand, while reaching around to the back of the fabric to pull the needle through with the other hand (6).
5. Once the needle has passed through the fabric completely, let go of the thread and pull the thread through the fabric to create a solid knot on top of the fabric (7, 8). (Take care not to pull the thread too tight when creating the knot, as this will tighten the knot and make it smaller.)
 

Comments

Popular posts from this blog

Tropical Patches

Transform almost anything with these tropical iron-on patches! MATERIALS Linen Wool felt Chenille 18 needle Embroidery thread Scissors: fabric and embroidery Heat n Bond Iron 1. Transfer the three patterns onto the linen fabric, leaving sufficient space in between each so that they can be individually cut out in step 3. 2. Stitch the patterns following the keys for the white lotus, the banana leaf and the African violet (see Tropical Plants in Flowers Category : White Lotus, Banana Leaf, African Violet ) . 3. Once the stitching is complete, cut around each patch leaving a little less than 1in (2.5cm) of fabric all the way around. 4. Now cut three pieces of wool felt to match the shape of the embroidered linen patches, making them just a little larger to allow for a felt ‘border’ all the way around the edge. Place the felt pieces behind each of the linen patches. 5. Using a single strand of an embroidery thread of your choice, use whipped back s...

C – VARIATED BACK STITCH

This stitch, like satin stitch, is a filler stitch, albeit a less controlled one. 1. Referring to how to work back stitch (see Back Stitch), fill in the designated space with back stitches, keeping the stitches random with no consistency (1).

MATERIALS & EQUIPMENT

THREAD The embroideries have all been stitched with DMC six-strand embroidery floss (stranded cotton), but there are many other thread choices available, as well as yarns, cords and ribbons. Anything is possible, although some options are trickier than others! NEEDLES Your threading medium determines needle choice: e.g., DMC gold embroidery needles (sizes 1, 3, 5) have smaller eyes for single strands of floss, while the DMC chenille needle (size 18) has a larger eye for thicker thread types, such as cord or yarn, or for stitching with all six strands of floss. A chenille needle (size 18) was used to work all the embroideries here. Explore the options but choose a needle that has a pointed tip, rather than a blunt-tip tapestry needle. FABRIC Anything (and everything) can be embroidered onto: from linen to burlap, to silk, to paper. A favorite for modern hand embroidery, and the fabric used in this book, is a linen-look/linen-blend fabric, which can either be a combination of l...